Born 1980, Yamaguchi, Japan
Lives and works in Bandung, Indonesia
Kei Imazu utilizes everyday contemporary internet environment in collecting all sorts of artworks and objects that exist in and beyond the form of an image. After thoroughly going through her great volume of collected data, she distorts, reconstructs, and sketches them digitally. With the sketch she has created, Imazu traces it onto the canvas using oil paint, a method she currently employs to create her artworks.
Imazu has several solo exhibitions including Mapping the Land/Body/Stories of its Past at ANOMALY, Tokyo, Japan (2021); Anda disini / You are here, Museum Haus Kasuya, Kanagawa, Japan (2019); Measuring Invisible Distance,Yamamoto Gendai, Tokyo, Japan (2018); and Overgrown, ROH Projects,Jakarta, Indonesia (2018). Her group exhibitions include Frieze Seoul, COEX Mall, Seoul, South Korea (2022); WAGIWAGI at documenta fifteen,Hübnerareal, Kassel, Germany (2022); Declaring Distance: Bandung — Leiden, Selasar Sunaryo Art Space, Bandung, Indonesia (2022); AAAAHHH!!! Paris Internationale, Paris, France (2018) – all featuring her collaborative work with Bagus Pandega; 1, ROH, Jakarta, Indonesia (2022); We Paint!, Palais de Beaux-Arts, Paris, France (2022); Last Words, ROH, Jakarta, Indonesia (2021); We Are Here, Jessica Silverman Gallery, San Francisco, USA (2021); Tiger Orchid, Art Basel OVR: Miami Beach (2020); Roppongi Crossing: Connexion, Mori Art Museum, Tokyo, Japan (2019); Meet the Collection - 30th Anniversary of the Yokohama Museum of Art, Yokohama Museum of Art, Kanagawa, Japan (2019), and Taming Y/Our Passion, Aichi Triennale, Nagoya, Japan (2019), among others. Kei Imazu is the finalist of Prix Jean-François Prat in 2020.