ROH is delighted to share images of Mella Jaarsma’s participation in Lahore Biennale 03 (2024). For her presentation, eight woodblocks carved by Jaarsma in Indonesia offer magnified views of the rapidly-expanding deforested regions in the country, supporting industries of nickel, gold, coal mining, food estates, palm oil, and rubber plantations.
During the opening, the installation was a platform for two experts and activists, who sat on the artist’s blanket discussing topics surrounding agriculture and food production in Pakistan and the issues faced by farmers.
Jaarma’s presentation is supported by the research of Anang Saptoto and Nensi Listiowati, and the work of woodblock printers Shaoaib Sarwar, Usman Akbar, and Rashid. The presentation is also indebted to the insightful dialogue of performers Saniya Ali Wattoo from the organisation RISQ, and Fouad Bajwa from Digital Dera.
Lahore Biennale 2024
Of Mountains and Seas
Curated by John Tain @mirrortravels
5 October - 8 November 2024
Born 1960, Emmeloord, The Netherlands
Lives and works in Yogyakarta, Indonesia
Mella Jaarsma is an artist who has become known for her complex custom installations and her focus on forms of cultural and racial diversity embedded within clothing, the body, and food. She studied visual art at Minerva Academy in Groningen (1978-1984), after which she left the Netherlands to study at the Art Institute of Jakarta (1984) and at the Indonesian Institute of the Arts in Yogyakarta (1985-1986). She has lived and worked in Indonesia ever since. In 1988, she co-founded Cemeti Art House, now called Cemeti Institute for Art & Society together with Nindityo Adipurnomo, which to this day remains an important platform for young artists and art workers in the country and region.
Mella Jaarsma’s works have been presented widely in exhibitions and art events in Indonesia and around the globe. Selected solo exhibitions include Tiga Pasang Tangan at Lawangwangi Creative Space, Bandung, Indonesia (2024); Performing Artifacts: Objects in Question at ROH, Jakarta, Indonesia (2022); The Size of Rice at A+ Works of Art, Kuala Lumpur, Malaysia (2021); Bolak Balik at Jendela Art Space, Esplanade, Singapore (2017); Potong Waktu at Nadi Gallery, Jakarta, Indonesia (2014); Truth, Lies and Senses at Lawangwangi Creative Space, Bandung, Indonesia (2012); and The Fitting Room at National Gallery of Indonesia, Jakarta, Indonesia and Selasar Sunaryo Art Space, Bandung, Indonesia (2009). Selected group exhibitions include Connecting Bodies: Asian Women Artists at National Museum of Modern and Contemporary Art (MMCA), Seoul, South Korea (2024); Food in Art at Museum of Contemporary Art in Krakow (MOCAK), Krakow, Poland (2024); VISARALOKA, part of the Indonesia Bertutur Festival at Museum H. Widayat, Magelang, Indonesia (2022); Indonesian Women Artists #3: Infusions into Contemporary Art at National Gallery of Indonesia, Jakarta, Indonesia (2022); Setouchi Triennale at Ibuki Island, Japan (2019); The Coming World: Ecology as the New Politics 2030-2100 at Garage Museum of Contemporary Art, Moscow, Russia (2019); Contemporary Worlds: Indonesia at National Gallery of Australia, Canberra, Australia (2019); Sunshower: Contemporary Art from Southeast Asia 1980s to Now at Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan (2019) and National Art Center Tokyo, Tokyo, Japan (2017); 20th Biennale of Sydney: The future is already here - it’s not just evenly distributed at Gallery of New South Wales, Sydney, Australia (2016); The Roving Eye at Arter, Istanbul, Turkey (2014); and Jakarta Biennale: Siasat at Museum of Ceramics and Fine Arts, Jakarta, Indonesia (2013). Her work is part of the permanent collection of the National Gallery of Indonesia, Jakarta, Indonesia; Queensland Art Gallery, Brisbane, Australia; National Gallery of Australia, Canberra, Australia; National Gallery Singapore and Singapore Art Museum, Singapore among others.
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